‘You cannot fight an evil disease with sweet medicine’ is the saying popular amongst us witch-doctors. And one cannot hope to cure a putrid malady like inter-racial hatred and misunderstanding by mincing words. So I warn readers that they are in for a nasty shock. This is not the book for people who prefer hypocrisy to fact.”
- Credo Mutwa
Credo Mutwa, heralded as the "Father of Indigenous Knowledge", was, until March 25, 2021, the last living sangoma, or traditional Bantu healer, to undergo the thwasa - sangoma training and initiation. He joined the ancestors at the age of 98. In the prologue of his awesome book, Indaba, My Children, Credo Mutwa writes,
“These are the stories that old men and old women tell to boys and girls seated with open mouths around the spark-wreathed fires in the centres of the villages in the dark forests and on the aloe-scented plains of Africa.
Under the gaze of the laughing stars the Old One sits, his kaross wrapped around his age-blasted shoulders, staring with rheumy eyes at the semi-circle of eager expectant faces before him - faces of those who have taken but a few steps along the dark and uncertain footpath called LIfe - faces as yet unmarked by furrows of bitterness, ill-health and anger - the fresh, pure, open faces of . . . .children. . . .
Suddenly the Old One feels a great burden on his shoulders - a heavy responsibility towards the young ones sitting so expectantly around him. Suddenly there is a visible sag to his thin, aged shoulders. He sighs - a harsh, rasping sound - and clears his throat, spitting and blowing his nose into the fire, as his father and his father’s father did before him. And he begins the story - the old, old story which he knows he must repeat exactly as he hear it so long ago, without changing, adding or subtracting a single word: ‘Indaba, My Children, . . .’
It is through these stories that we are able to reconstruct the past of the Bantu of Africa. It is through these stories that intertribal friendship or hatred was kept alive and burning; that the young were told who their ancestors were, who their enemies were and who their friends were. In short, it is these stories that shaped Africa as we know it - years and years ago . . . .
True, the Black man of Africa had no mighty scrolls on which to write the history of his land. True, the Black tribes of Africa had no pyramids on which to carve the history of each and every crowned thief and tyrant who ruled them - on which to carve the history of every battle lost and won. But this they did, and still do!
There are men and women, preferably with black birth-marks on either of the palms of their hands, with good memories and a great capacity to remember words and to repeat them exactly as they had heard them spoken. These people were told the history of the Tribes, under oath never to alter, add or subtract any word. Anyone who so much as thought of changing any of the stories of his tribe that he had been told fell immediately under a High Curse which covered him, his children and his children’s children. These tribal story-tellers were called Guardians of the Umlando or Tribal History.
And I, Vusamazulu the Outcast, am proud to be one of these, and here I shall tell these stories to you in the very words of the Guardians who told them to me. Indaba, My Children. . . ‘“
In November of 2006, I went to Azania (South Africa) and I hoped to see Credo Mutwa. I had organized The Rastafari Global Inity Conference (RGIC) in Azania and was there as a follow-up to my diplomatic efforts with His Excellency, President Thabo Mvuyelwa Mbeki, President of South Africa. In my five volume work, Come Out of Her My People! 21st Century Black Prophetic Faith and Pan African Diplomacy, I chronicled the event:
“When I reached Azania, I was met at the airport by a large host of Rastafari. The welcoming was overwhelming . . . .The entire Rastafari Community in Azania sent delegations to greet me. The reception at the airport lasted more than an hour and I was immediately given my Zulu name: ‘Siphiwe” which, like Nathaniel (my middle name at birth) means ‘gift’. . . . I have received the Royal Treatment since arrival. Receptions, lectures, etc. have been planned in all nine provinces, though I won’t be able to make them all. I am lecturing at North West University in Mafikeng Campus in North West Province on November 14 and then on to Cape Town.”
Unfortunately, I was not able to meet with Credo Mutwa during that trip. So I am taking this time to pay my respects. Given that Credo Mutwa has just recently joined the ancestors and that the COVID -19 Pandemic is showing itself as a harbinger of a revolutionary change in human society, it is fitting to share the following two excerpt from Indaba, My Children: The Race That Died and Thy Doom, Oh Amarire!, both ancient history and potent warning for mankind today.
THE RACE THAT DIED
The Holy Ones of Kariba Gorge tell us
That the first men to walk the earth
Were all of a similar kind.
They looked exactly alike, and were all of similar height,
And their color was red like Africa’s plains.
In those days there were no black-skinned or dark-brown men:
No Pygmies and Bushmen, nor Hottentots either.
The Wise Ones of the Ba-Kongo agree
With the Holy Ones of Kariba Gorge,
And they even go as far as to say
That the First People had no hair on their bodies at all;
All had the golden eyes of Ma-
The Goddess who launched them on earth with such pain.
All the Wise Ones and Holy Ones of this Dark Continent
Agree that the splitting of all Humanity into races;
The tall Wa-Tu-Tutsi, the Pygmies, or the Ba-Twa,
The short yellow Bushmen of Ka-Lahari,
Even those long-bearded A-Rabi
Who raided our villages mercilessly for slaves -
Resulted from one great accident which occured
Through the sinfulness of these First Men.
Inspire me, oh Spirit of my Fathers!
Give me courage to proceed and tell the world
What say the Holy Ones of these First Men!
Let me break, oh Demon of Disobedience -
Let me break the stout stockade but once
Of Tribal Secrecy.
Let me relate to the world outside
The Forbidden Story that all Wise Ones -
All witch-doctors know but keep firmly shut
In the darkest tunnels of their souls!
What is this Forbidden Legend about these First Men -
Tales of the Nguni, the Mambo, the Lunda and the Ba-Kongo?
When the muted beat
Of the Drum of Sworn Secrecy has sounded
And the Holy Ones gather to re-tell once again
The most secret tales to the young generation:
‘Tales-that-must-never-be-told-to-strangers-
And-to-the-low-born-peasant-dogs’
What say the Holy Ones of this First Nation?
Lo! I shall open my mouth
The mouth of a traitor most foul
Who, for what he believes to be good for his people,
Here betrays the secrets of his land -
I shall open my mouth and tell you,
So gather around me - ‘Indaba, my children . . .’
It is said that more than a thousand times ten years went by
In which there was peace on this virgin earth;
Peace in the sky -
Peace on the forest-veiled plains -
On the scented valleys and timeless hills.
Only certain beasts were permitted to kill,
By the Laws of the Great Spirit,
In accordance with their victual needs.
There was none of this savage
And wanton destruction of Life
Such as men today indulge in
To gratify their warped and evil souls.
Man against man forged no evil spear
With secret and murd’rous intent.
There were no such things as anger and hate
And nothing of ‘this is mine and that is yours’,
No contention and rivalry.
Man breathed peace on the cheek of his brother men.
Man walked in peace without fear of wild beasts
Which in turn had no reason to fear him.
Men in those days did not suffer
From our emotional curses.
They knew no worry like our sin-laden selves.
Death they welcomed with open arms
And a smile on the face, because,
Unlike our degenerate selves,
They knew Death for what it was -
Life’s ultimate Friend!
But the evil star of self-righteousness,
Was emerging from yonder horizon
And man’s undoing was nigh.
Once in a shady recess of a vine-screened cave
A beautiful woman whom some call Nelesi,
But whom many more call Kei-Lei-Si,
Gave birth to the first deformed child;
Deformed not in flesh alone, but also in his soul.
His shrunken body supported a big flat head
Containing one short-sighted cyclopian eye.
Painting by Jim Carey
His arms and his legs were shrunken stiff
And were twisted like a sun-dried impala,
While his mouth was completely displaced to one side
In a perpetual obscene leer.
His scrawny neck was wrinkled,
Like a starved old vulture two days dead,
And his round little paunch protruded ‘neath his hcest
In a most revolting way.
Strings of crystallised saliva drooled
Continuously from his sagging lips;
He breathed through only one nostril
With a sickening hissing sound.
The name of this very unpleasant monstrosity -
Tribal Narrators tell today -
Was Zaralleli or Zah-Ha-Rrellel, The Wicked!
This was the man - no, rather the Thing
That introduced all evil to this earth.
Whenever a child was born to these First Men
The mother would take it straight for a blessing
To the two-headed talking Kaa-U-La birds,
And also to ask them to give it a name.
Thus it came about that when Nelesi
(Let us rather abide by Kei-Lei-Si, for this is
Her proper and uncorrupted name)
Took her terrible offspring to the big old Kaa-U-La bird,
Which nested not far from her cave,
It gave one glance at her
And shuddered at what she carried!
In the half-dead deformed thing that the girl held aloft
The Kaa-U-La bird could see Evil so great
And so utterly monstrous that if unchecked
There and then it would definitely overrun
The Universe outright with its bad influence.
And what it saw beyond the veil of tomorrow
Made it screech with unrestrained horror and pain:
‘Kaaaaaaauk! Oh woman, what have you there!
Destroy it, kill it, without delay!’
‘What, but this is my baby, my child!’
Cried the mother in utter despair.
But the bird’s voice rang like metal
And echoed o’er valleys and mountains;
‘Female of the human race - I appeal to thee,
Destroy thy offspring before it’s too late!’
‘But where have you ever seen mothers kill babies?’
The poor mother pleaded, now on her knees.
‘For the sake of Mankind, and that of the stars,
And for all those as yet unborn,
I command thee oh female of thy race,
Destroy that thing in your arms!
No baby is that which you’re holding there,
But Naked Evil, devouring and pure -
A Bloody Future it spells for the Human Race!’
‘My baby evil? He is the dearest baby on earth!
My loveliest baby - destroy it? Not on your life!’
‘I command thee . . . ‘ But Kei-Lei-Si screamed;
She turned and ran like a buck through the bush
Her baby clutching her heaving breasts.
The Kaa-U-La immediately took off in pursuit
By telepathy calling all others to join
In the hunt for the fugitive girl.
Only once she paused for a gasp of breath
On the grassy slope of a hill,
And on looking around she saw a black flock -
Hordes of the two-headed, six-winged rainbow birds.
It struck her that these birds rarely flew,
And did so only when the need was great.
‘Aieeee! My baby, they seek you -
But they will not get you as long as I live!’
And with this she turned and sped up the hill;
But as she descended the other side
The great birds were on her and diving at her
Ripping with talons deep furrows on her back.
She reached the dark depths of the forest anon
And the birds in their tireless pursuit
Uprooted trees and moved the rocks
And dived with a roar of air.
Again and again they appealed to her
To surrender her child for Humanity’s sake.
‘No, a thousand times no!’ she panted and onwards fled,
Tripping and falling and bruising her lets,
Only to rise and speed forth faster than e’er.
At long, long last she found a deep hole
In which she sprang with no second thought.
They fell for what seemed like a thousand years
And struck the floor with a bone-jarring thud.
For a long time they lay there completely stunned
On the bank of an underground stream -
A river which roared and crashed with great noise
Through miles of underground caverns.
The evil spawn of the foolish girl
Did not die, as he fell on his mother,
And was thus due to rise soon to menace the world
With the fumes of his evil soul.
Soon the stars would weep in shame
While cursing the woman Kei-Lei-Si
And the wicked Za-Ha-Rrellel.
The otherwise beautiful woman and her monstrous son,
Lived for years in the bowlels of the earth.
Fish, and crabs from the muddy banks,
Were abundant enough to keep them alive,
While above ground the Kaa-U-La birds were searching the forests and plains in vain.
Painting by Jim Carey